Coco

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(spoiler free)

Not since 2015’s ‘Inside Out’ have Pixar Studios been at the top of their game. After the success of this original film they’ve released three more animations, including two sequels, which simply haven’t measured up to the magic of their early creations. Could their latest effort, ‘Coco’, an original idea from the director of ‘Toy Story 3’ Lee Unkrich provide that same movie magic which made Pixar the leading name in film animation? 

‘Coco’ tells the story of a young music loving boy, Miguel, who is transported to the land of the dead on the evening of the Día de Muertos festival in Mexico. He is thrust into an adventure with his deceased ancestors and must attempt to get back to the land of the living before sunrise. The premise allows for such wonderful animation work, the use of vibrant colours and intricate design make the film a feast for the eyes. There was only one element of the animation that I wasn’t a fan of, the alebrijes. These are mythical beasts who act as spirit guides in the land of the dead. I’m aware that these are a part of Mexican folklore but for me their inclusion was rather jarring, their design didn’t blend well with the rest of the aesthetic and as a result somewhat took away from the already beautiful visuals achieved. 

Nonetheless, by this stage in the filmography of Pixar the quality of animation is pretty much guaranteed, it’s the story that’s crucial for any new film to succeed. Ultimately the narrative here is incredibly well written, even if a little predictable for older audiences. Younger viewers might have some trouble following it at times and it’s more heartfelt than comedic. However, this shouldn’t be too much of an issue as the younger and older viewers alike should both enjoy the fantastic heart and soul of this film, the music. Whilst explained, the insistence of Miguel’s family concerning the ban of music seems rather extreme upon occasions and sometimes hard to believe but the glorious use of it in the film is a complete joy. Anthony Gonzalez who voices Miguel is an absolute star, with such an infectious voice. His performance makes Miguel such a likeable main character and consistently drives the film forward.

Furthermore, the narrative achieves a lot touching on so many different subjects in such an effective manner. Family, passions, fame, legacy, death & life are all looked at but the story never feels overcrowded with themes or plot points. Instead it’s natural and comes together in what appears to be an effortless fashion. It’s also rather poignant concerning the cult of celebrity and the culture we have of worshiping those in the spotlight.

Subsequently ‘Coco’ is a much needed burst of originality for Pixar Studios. It’s refreshing to say the least amongst the barrage of sequels the studio has churned out. Gonzalez is endearing to no end in the leading role and his performance, especially in the musical moments should warm your heart. The narrative is equally as heartfelt and combined with the largely impressive animation work make ‘Coco’ the best Pixar film in years and a much needed new classic to add to their legendary back catalogue.

Written by Hamish Calvert


Rating  8/10

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